Blog
Views, thoughts and comments on our campaigns, current industry issues, events, and more.
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Give to Gain: The women who opened doors for me
6 March 2026
Our new COO, Laverne Thomas, reflects on what this year’s International Women’s Day theme - Give to Gain - means to her -
Networking behind the scenes: why we miss opportunities
28 January 2026
Networking in film and TV often feels uncomfortable. We often miss the connections we’re looking for - because bias gets in the way. Here’s how to break the cycle. -
The mental health cost of long and unsociable hours in film, TV, and cinema
9 January 2026
Each of us can play a vital role in making our industry the best in the world -
Personal Independence Payment: a simple, step-by-step guide for screen workers
21 November 2025
If you work in film, TV, or cinema and have a long-term health condition or disability, this guide shows how the Turn2us PIP Helper can support your benefit application -
Why supportive offboarding matters
17 November 2025
Why supportive off‑boarding matters: helping freelancers feel valued, confident, and ready for what’s next -
Looking Glass 2024: Mental health of trans and non-binary workers
17 November 2025
During Trans Awareness Week, we’re taking a deep dive into the experiences of trans and non-binary professionals working behind the scenes -
Budgeting as a freelancer in the film and TV industry: A 10-step guide
4 November 2025
For those working behind the scenes in film and television, the unpredictability of freelance income can feel overwhelming. But there are practical ways to take control. -
CV glow-up: 5 smart tweaks that make a big impact
16 September 2025
Practical tips and proven strategies from a film and TV industry recruiter to help you craft a standout CV -
Why the Film and TV Charity supports cinema
11 September 2025
At the Charity, our mission is to support everyone working across the screen sector - film, television, and yes, cinema -
Supporting underrepresented voices in film and TV
14 July 2025
Reel Impact awardee, Dean, reflects on what opportunity looks like for underrepresented filmmakers - and how targeted initiatives are finally opening once gatekept doors